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Open Doors

Open Doors

Vilhelm Hammershøi

Regular price ¥25,600 JPY
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Art info

An Artwork Where a Sense of Space Unfolds Within Silence

“Open Doors” (1905), where three open doors draw the gaze straight into the distance, is a quintessential serene interior painting by Vilhelm Hammershøi. The interior, devoid of human figures and composed solely of pale light and a gradation of grays, holds a peculiar tension that captivates despite nothing happening. The composition, with doors opening in succession, creates a sense of space extending somewhere beyond, even though it is a closed room.
In the early 1900s, Hammershøi continuously depicted interiors in Copenhagen and spaces within his home with restrained colors and clear compositions. This work is a representative example, where the stripped-down walls, the diffusion of light, and the repetition of doors create a quiet rhythm. Viewers are left to imagine what lies beyond the doors, savoring the silence within the painting itself.

Sophisticated Depth Created by Gray Gradations and Straight Lines

The charm of this work lies in its almost monochromatic color scheme and its neatly structured composition. By creating space without using strong colors, the entire canvas exudes tranquility, and the subtle differences in light and shadow on the walls and floor, conversely, enhance the sense of depth. While minimal, it avoids being cold, conveying a quiet intensity that harmonizes well with modern spaces and interiors that value negative space.

サイズ W441mm × H365mm × D23mm
技法 ジクレー
用紙 水彩紙
フレーム 木製
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Artist info

Vilhelm Hammershøi

Vilhelm Hammershøi

1864 - 1916

Born in Copenhagen, Denmark, in 1864, Vilhelm Hammershøi is known as the “Vermeer of the North” and an artist of tranquility.
Hammershøi consistently depicted soft light streaming through the windows of his room and the back of his wife standing there. In contrast to the flamboyant interior paintings popular at the time, he used a limited palette of grays and whites to create an enigmatic space where time seemed to stand still.

His gaze, focused on the inherent beauty of the “skeleton of the room”—the lines of doors, windows, and walls—exudes a sophistication that resonates with contemporary minimalism. His paintings, stripped of all superfluous sound, allow viewers to forget their hectic daily lives and bring a sense of serene emptiness to their hearts.